whatsthatbuttondo:

Oreo Thins:  2:0.84 ratio cookie to cream
4g cookie to 1.68g cream
84% cream of original*


Oreos:  4:1 ratio cookie to cream
8g cookie to 2g cream


Oreo Double Stuf:  4:2.68 ratio cookie to cream
8g cookie to 5.33g cream
268% cream of original


Oreo Mega Stuf:  4:4.84 ratio cookie to cream
8g cookie to 9.68g cream
484% cream of original


Oreo Most Stuf:  4:6.42 ratio cookie to cream
8g cookie to 12.83g cream
642% cream of original


*The math doesn’t work the same for Oreo Thins since the wafer is different; this percentage compares the weight of the cream alone. 

(via weirdymcweirdington)

postcardsfromspace:

I am so, so proud to have been part of this, alongside BuzzFeed’s Jessica Testa and Tyler Kingkade; and all the brave, amazing comics pros who spoke up.

This is the sum of about three years of groundwork; and even then, it wouldn’t have been possible without BuzzFeed’s support.

Which brings up an important thing that I think a lot of folks miss in the furor of breaking accounts: Reporting harassment stories right is hard. Yeah, you can post prurient blind items; but making something stick, and making sure it has the potential to have the impact it should? That takes a lot of work; and it takes a platform and really good editorial and legal oversight.

The sea change of the last few weeks is huge: for the first time, the news outlets that have the resources to run this stuff care about it. I tried to pitch this for years, and got told over and over that it was too niche, or that maybe could it be an op-ed, or–you get the idea.

BuzzFeed ran this through the news desk. Not entertainment desk. Not arts. News.

And that?

That matters so much.

(My e-mail address isn’t visible on the post because of a glitch. If you want to get in touch, or have tips about similar stories, you can reach me at jay(dot)edidin(at)gmail(dot)com.)

evilmarguerite:

redgoldsparks:

Here is the full version of my first comic for The Nib, which went up yesterday.

instagram/ patreon portfolio

My friend Maia made this! Please follow and share for more incredible, powerful art and stories. <3 

(via evilmarguerite)

kateordie:

I realize I drew the Bi Pride Flag two different ways but… well, that joke writes itself.

This is a story about a little thing, and some big things. I have lots more on Patreon! I love you. Happy Pride.

Yes, I do teach creative writing: your opening scene

underhillwriter:

The opening scene is the most important piece of your novel. This scene determines whether your reader is pulled in or puts the book down. Here are some important do’s and don’ts.

DO write it as a scene, not a data dump. You may have a fantastic premise, a marvelous alternate history or post-apocalyptic world or magical realism to die for, but if you don’t engage your reader in an actual scene, you will bore them.

DO write a scene that immediately introduces a character that the reader can root for. Yes, I know Stephen King has had great success introducing victims that are then shortly afterward killed off. That’s a horror trope and we expect it. But if you are caught up in world-building and haven’t dreamed your way into a character who is worth following through 100,000 words of writing, your story is pointless. I have read many pieces of fiction by would-be writers who can’t grasp this essential concept, and without exception, they fail to engage the reader.

DO introduce the stakes right away. In case that’s a challenge that needs some exposition to develop, create some immediate stakes (a life threat works) that keep the tension high and the reader engaged until you can lay out the larger stakes.

DO begin in medias res, which means “in the middle of things.” Most beginning fiction writers make the mistake of starting too early in the plot. Meet the monster on page 1. 

DON’T include a flashback in the first chapter. Work on a scene, which means time is NOT compressed. It should include dialog, action, description, setting, and interior monolog. Keep everything happening within that scene for at least the first chapter. You can bring in a flashback in Chapter Three.

DON’T shift points of view within a single chapter. Let the reader establish a strong bond of interest (even if it’s with a POV villain) over the course of a whole chapter.

DON’T open the story with your character waking up unless it’s because she’s got a gun in her face (or a knife to her throat – you get what I mean). We don’t need to follow a character through their mundane daily routine. 

DON’T be coy. Beginning writers often have this idea that they need to hold back on revealing all their secrets – what’s in the box, who’s behind the curtain, where they’re going next, etc. Their well-meant plan is to slowly reveal all this over several chapters. Trust me on this one: tell your readers instead of keeping it a mystery. You WILL come up with more secrets to reveal. Your imagination is that good. Spill it now, and allow that revelation to add to the excitement.

(via giraffepoliceforce)

Here is What Quran 5:51 Actually Says

gwillow:

This has been a banner week for comics, my friends. A banner week. If you haven’t been following the Ardian Syaf scandal, don’t bother; it’s not worth the brain cells. If you’re already elbows deep, however, you will have come across his easter egg reference “QS 5:51″ in X Men Gold #1, with ‘QS’ apparently being an Indonesian way of indicating ‘Quran, Surah,’ i.e. Quran, Chapter (Surah) 5, verse 51. 

I am so profoundly pissed off this week that I am now going to discuss Quranic exegesis while swearing profusely. So, you know. Fair warning. 

This verse is subject to a truly fantastical amount of bullshittery in the modern era. And that bullshittery takes on a particular flavor depending on the agenda of whoever is translating the verse. Keep in mind that 75% of Muslims are non-native speakers of Arabic (I’m one of them), and of that 75%, most know a few phrases of Arabic at most; just enough to be able to perform the five daily prayers, plus some tangentially related religious terminology (I know a bit more). To put it more simply, the vast majority of Muslims around the world do not read the Quran in the original Arabic. They read an interpretation rendered into their local language. And this is where the bullshittery starts.

Apparently, the Indonesian translation of 5:51 reads something like this: “Oh you who believe, take not the Jews and the Christians as leaders/advisors.”  (I don’t speak or read Indonesian, so I am going off the explanations of others and stuff I have been able to find online.) The reason Syaf referenced this verse is because (apparently) he has been protesting a Christian governor in his province; a governor who has been accused of blasphemy and/or corruption and/or making fun of this particular verse of the Quran, depending on who you ask. 

Here is the problem: the Arabic word in that verse that is translated variously as leader, advisor, friend, intimate etc is أولياء (awliya’), the plural of ولي‎‎ (wali). And it means none of those things.

Awliya’ in this context means something very specific, and among Arabic speakers, that meaning has changed very little over the last 1400 years. A wali is a legal counselor or sometimes a legal guardian. Some examples: an unmarried girl must appoint a wali to act on her behalf during a marriage negotiation, according to Islamic law. Your lawyer is your wali in court. The executor of a will is the wali of the deceased. A parent is the wali of a child until that child reaches the age of majority. You get the gist.

The Indonesian interpretation, in this case, is less bullshitty than the English translation pushed primarily by certain extremist Sunni factions (cough the Saudis cough cough) which has also been making the rounds in comics media today: friend. A wali is not a friend. A wali is nothing even related to friendship. The literal translation of friend is siddiq; you could also use sahib (companion). Wali doesn’t even come from the same root as either of these words. The Quran never suggests you can’t be friends with non-Muslims. Which makes sense, because, you know, the Prophet had non-Muslim friends. 

So in the grand scheme of things, the Indonesian interpretation is more accurate than the one being pushed by certain other factions, but it’s still bullshitty. Why? Because it has very little relevance to a democratic, multi-ethnic and multi-religious state. It was revealed at a time when the fledgling Muslim community was engaged in a de facto trade war (that rapidly escalated into armed conflict) with its non-Muslim neighbors. In such a situation, appointing somebody from the opposing side as your legal representative does indeed seem like a pretty bad idea. 

While there are some hardline interpretations that hold this edict applies equally to all situations across time and space, Muslim history is swimming in Jewish and Christian (and sometimes Hindu) advisors elevated to positions of intimate counsel in various caliphates, so it’s clear that for much of Islamic history, this verse, much like the Pirate Code, was more of a guideline than an actual rule. (If you haven’t read about Moses ben Maimon, aka Maimonides–Jewish philosopher, Torah scholar and personal physician to Saladin himself–do.) 

This is all to say that Ardian Syaf can keep his garbage philosophy. He has committed career suicide; he will rapidly become irrelevant. But his nonsense will continue to affect the scant handful of Muslims who have managed to carve out careers in comics. From what I can deduce off of Facebook, it appears he is trying to claim the Charlie Hebdo defense…ie, he doesn’t mean anything by it; we just don’t understand the nuance and subtly of the local bigotry. Much good may it do him. Goodbye, Ardian Syaf. We hardly knew ye, which is just as well. 

PS You don’t need to take my word for any of this. I’m not a scholar; I am merely an obsessive layperson.  Here is a breakdown of 5:51 from a sheikh on a traditionalist Sunni website

(via gwillow-deactivated20190925)

Myths, Creatures, and Folklore

redadhdventures:

thewritingcafe:

thewritingcafe:

Want to create a religion for your fictional world? Here are some references and resources!

General:

Africa:

The Americas:

Asia:

Europe:

Middle East:

Oceania:

Creating a Fantasy Religion:

Some superstitions:

Read More

Here, I have some more:

Africa:

The Americas:

Asia:

Europe:

Oceanic:

General:

Reblogging because wow. What a resource.

(via jakeekiss)

So About That Whole Thing

gwillow:

LONG COMIC BOOK RANT INCOMING:

Okay some things need to be said:

1. If you’re going to write a smug thunk-piece about the “failure” of “diversity” in comics, maybe don’t use the cover image of a book that’s had 4 collections on the NYT graphic books bestseller list, won a Hugo and cleaned up at Angouleme. Just because you HOPE it’s on the chopping block, oh Riders of the Brohirrim, doesn’t mean it is.

2. I will tell you exactly why Ms Marvel works: it didn’t set out to be Ms Marvel. We were originally going to pitch it as a 10 issue limited series. I had a 3 issue exit strategy because I assumed we were going to get canned. There was no “diversity initiative” anywhere–getting that thing made at all was a struggle. It was a given that any character without AT LEAST a 20-year history would tank. Everybody, myself included, assumed this series was going to work out the same way.

3. That freed us–by “us” I mean the whole creative team–to tell exactly the story we wanted to tell. We had nothing to lose, nothing to overcome but low expectations. That gave us room to break a lot of rules.

STUFF THAT IS DIFFICULT TO REPLICATE AND IMPOSSIBLE TO PLAN:

1. Unexpected audiences. We are at a point in history when the role of religion is at a tremendous inflection point. What I didn’t realize was that the anxieties felt by young Muslims are also felt by young Mormons, evangelicals, orthodox Jews, and others. A h-u-g-e reason Ms Marvel has struck the chord it has is because it deals with the role of traditionalist faith in the context of social justice, and there was–apparently–an untapped audience of people from a wide variety of faith backgrounds who were eager for a story like this. Nobody could have predicted or planned for that. That’s being in the right place at the right time with the right story burning a hole in your pocket. Plenty of other stuff I’ve written and liked has fallen with a huge thud. That’s the norm. Exceptions are great when they happen, but hard to plan.

2. The paradox of low expectations. The bar was set pretty low for Ms Marvel, but because of Ms Marvel’s success, that bar got set much higher for similar books that came later.

STUFF THAT IS ENTIRELY AVOIDABLE:

1. This is a personal opinion, but IMO launching a legacy character by killing off or humiliating the original character sets the legacy character up for failure. Who wants a legacy if the legacy is shitty?

2. Diversity as a form of performative guilt doesn’t work. Let’s scrap the word diversity entirely and replace it with authenticity and realism. This is not a new world. This is *the world.*

3. Never try to be the next whoever. Be the first and only you. People smell BS a mile away.

4. The direct market and the book market have diverged. Never the twain shall meet. We need to accept this and move on, and market accordingly.

5. Not for nothing, but there is a direct correlation between the quote unquote “diverse” Big 2 properties that have done well (Luke Cage, Black Panther, Ms Marvel, Batgirl) and properties that have A STRONG SENSE OF PLACE. It’s not “diversity” that draws those elusive untapped audiences, it’s *particularity.* This is a vital distinction nobody seems to make. This goes back to authenticity and realism.

AND FINALLY

On a practical level, this is not really a story about “diversity” at all. It’s a story about the rise of YA comics. If you look at it that way, the things that sell and don’t sell (AND THE MARKETS THEY SELL IN VS THE MARKETS THEY DON’T SELL IN) start to make a different kind of sense.

(via comics)

shop5:
“If anyone wants to know my politics, I can’t put it better than Jack Kirby – (x)
”

shop5:

If anyone wants to know my politics, I can’t put it better than Jack Kirby – (x)

(via postcardsfromspace)